Author Archives: wolfganghauck

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A few euros for a big help!
Our humanitarian aid directly on the ground in Turkey and Iraq.

We collect relief funds for the care of Yazidi, Syrian, Afghan and Iraqi refugees in Turkey and Iraq.

The other action enables us to equip our cultural aid programs with instruments, material, stilts and whatever the partner organizations need:

The amount of your donation doesn’t matter, whether it’s €5, €15 or €50.

HUMANITARIAN AID PROGRAM

CULTURAL AID PROGRAM

Thank you very, very much!

Wolfgang Hauck
dieKunstBauStelle e.V.

THE RED THREAD – INSTALLATION AT TIM AUGSBURG

SPECIAL EXHIBITION
Staatliches Textil- und Industriemuseum Augsburg (tim)
“THE RED THREAD – COLOURFUL WORLDS IN COVER AND FILL”

An exhibition by Renate Stoiber and Wolfgang Hauck

OPENING HOURS TEXTILE MARKET WITH INSTALLATION
Friday, 18. 11. 2016, 9:00 – 20:00
Saturday, 19. 11. 2016, 9:00 – 18:00

AND AS A SPECIAL EXHIBITION UNTIL 11.12.2016
During the museum’s opening hours

LOCATION
tim | Augsburg State Textile and Industrial Museum
Provinostrasse 46, 86153 Augsburg
Phone: 0821-81001-50
www.timbayern.de

PROGRAM AND INFO
www.www.textilmarkt-im-tim.de

DER ROTE FADEN
Project by “dieKunstBauStelle”, the Landsberg am Lech secondary school and “Die Stelzer”.
Supported by the Jugend ins Zentrum program of the Bundesverband der soziokulturellen Zentren e.V. as part of the federal program Kultur macht stark.

WOW
Fascinating costumes, bright colors, extravagant design – and built-in dishcloths, cleaning sponges or rubber gloves: a special kind of costume collection that young people from Landsberg have developed as part of the project “DER ROTE FADEN – Kunterbunte Welten in Hülle und Fülle”.

The creations made from everyday materials from the 1-euro store in pink, neon green and bright blue were developed according to very special specifications: as new costumes for the theater ensemble “Die Stelzer” – the “wow effect” is guaranteed.

DESIGN
Reante Stoiber, Wolfgang Hauck

PRODUCTION MANAGEMENT
Wolfgang Hauck

DURATION OF THE INSTALLATION AND EXHIBITION
18. 11. – 11. 12. 2016

WEBSITES
www.dieKunstBauStelle.de
www.dieStelzer.de
www.www.textilmarkt-im-tim.de

ARCHITECTUS LUCIS – many impressions

We have now left our big final event behind us, the exhibition is over and the works have been destroyed. What remains are wonderful memories of a great time working together, being creative together and having a good exchange with each other.

Our project and its results were also very well received by the visitors to the exhibition. The hands-on activity – everyone first had to build an object out of cardboard in order to be allowed to visit the exhibition – was great fun for everyone after some initial hesitation. And it is hard to believe what creative objects were constructed: From miniature chairs, wondrous hats, flying objects to Spock ears – everything was there. Visitors were able to see for themselves what impressive things can be created with very simple materials. “You make something that’s actually pointless and people laugh at you,” says a delighted Rainer from Landsberg. And Simone from Untermeitingen finds it fascinating how delicate and even sculptural you can work with such robust cardboard. “The hands-on activity makes it easy to imagine how much fun the participants had with the project,” says Ulrike from Landsberg.

Hannah and Sebastian, from year 12 at the IKG, took part in the project with their school. “But seeing the end result now is something completely different,” they say – and are delighted. Cornelia and Bettina, teachers at the Montessori school in Kaufering, who also actively participated in the project with their pupils, are “thrilled and enriched”, as they say. They are particularly fascinated by the creativity and ideas that the pupils were able to contribute. But also the freedom they were given. “It’s good for the pupils to see: ‘Something really great is created here when you work freely and in depth on something’.”

Destroying them at the end of the event was sad for many visitors and participants, as a lot of work had gone into the works and they were so artistic and successful. Like 11-year-old Jonas from Landsberg, for example. He would have liked the works to be on display for at least another week. Nevertheless, he thought the destruction was “cool”. Overall, the principle and intention behind it was well understood. “I find it relieving and liberating,” says 23-year-old Leandra from Graben. “You’ve done something that’s beautiful. At the moment of the climax, at the moment when it looks the most beautiful, it is destroyed again. This uniqueness makes the project even more important. You could see something that you will never see again. Besides, as the saying goes? You shouldn’t carry too much old stuff around with you!”

www.ArchitectusLucis.org

Bringing light spaces to life

Those who take part in this project become master builders, designers, artists and craftsmen themselves. For one week, the Landsberg cultural association “dieKunstBauStelle e.V.” is working on its ARCHITECTUS LUCIS project with Landsberg residents aged between eight and 99 as well as international helpers and speakers under the motto “We follow the work of Dominikus Zimmermann” to create objects, costumes and rooms from cardboard boxes in the old IKG gymnasium and experience the light art of the famous architect for themselves. Next Saturday, October 22nd, the big project closing event will take place from 3:00 pm.

Creative process

The whole week was dedicated to creation and creativity. “At the beginning, nobody really knew what the end result would be,” says Wolfgang Hauck, project initiator and chairman of “dieKunstBauStelle e.V.”. It was a creative process, thoughts were taken up, new ideas emerged, we were open to everything,” emphasizes Hauck.

Around 140 participants, including pupils from the secondary school, the IKG and the Montessori and Waldorf schools, have already contributed to the project. “In the afternoon and evening, there was a lot of support from refugees, artists and architects or simply people from Landsberg who just dropped by,” says Hauck.

Bringing light spaces to life

Ideas were first collected together. “The art of architecture is to create a space and bring it to life and make it accessible for living,” explains Hauck. “That’s initially what we did with the cardboard boxes – created spaces. the art begins where you deal with the available light of day and don’t just use electric light. That’s why openings and artistic cut-outs are worked into the cardboard rooms. This creates the light spaces. You have to imagine this principle in large dimensions – we have produced large” light space cubes “that can be moved around and combined.”

These large boxes, for example, were created with pupils from year 12 at the IKG, who are currently focusing on architecture in their art lessons. They were on site every morning for four days and were able to work intensively on the topic – the results are really impressive.

“It’s a great project,” says 17-year-old Jana, a pupil at the IKG. “I really like building something together with other people. What’s exciting about it is that, for me, cardboard boxes used to be just cardboard boxes. I would never have thought what you could build out of them, especially in this size.”

Other, mainly younger, schoolchildren also explored the topic of light design, albeit in a slightly different form. They covered windows with transparent paper or built cardboard figures in baroque poses based on the outlines of their own bodies. And finally, there are moving sculptures, modern angels and “flying boxes” – all of these elements are ultimately brought to life in the light room.

Like school – only ten times better

Eleven-year-old Matthias, a pupil at Landsberg secondary school, is delighted: “It’s like school, only ten times better.” His teacher Aslihan Özcan is also delighted: “It’s great that the pupils can be creative and express themselves. When they see the result on Saturday, they will feel even happier – because they were allowed to be part of this major project.”

“Our project is deliberately not a reconstruction of Dominikus Zimmermann’s life and work,” says Hauck. “We are not recreating, but following his work. And are trying to engage with his spirit, to internalize and trace his inspired artistic work.”

“Whether artist, architect, craftsman, student or pensioner: everyone is there and has the opportunity to empathize,” explains Hauck. It is very interesting to see: How does the architect work, how does the artist work? It is very important that the space and design interlock, otherwise it won’t work. The pure artist who paints a picture is free from these guidelines and can simply paint away. Here, on the other hand, there is a direct dialog with the world.

Big final event: watch, join in – and destroy

Everyone is working together towards the one big day – the final event on Saturday, where all the works will be presented in various forms.

This will begin from 15:00 to 16:00 with a parade of moving sculptures through Landsberg’s town center. From 16:00, the cardboard exhibition, party or performance – whatever you want to call this mixture – will be open in the old gymnasium of the IKG. Not only can and should you touch everything, but you can also open light windows, views and insights with the cutters or rearrange over one meter fifty large building blocks. The event will be opened with introductory words by Landsberg’s third mayor Axel Flörke (town of Landsberg) and district councillor Ulla Kurz (district). International guests will also be present.

Things finally get exciting at 10 p.m. – the gymnasium is locked and children are only allowed to attend if accompanied by their parents or guardians. Everything that has been created is destroyed again in a large, expressionist action. “That’s part of the concept and part of the event,” says Stegink. “All that remains are photos, videos and fond memories. This is about the baroque theme of becoming and passing away, nothing lasts forever.”

ARCHITECTUS LUCIS is funded by the Kulturfonds Bayern, the European Bavarian State Ministry of Science, Research and the Arts, the town of Landsberg am Lech, the district of Landsberg and the district of Upper Bavaria. The cardboard is provided by the company Redl GmbH and the scaffolding by the company Ratzka.

School differently

More than 150 pupils from Landsberg and the surrounding area are involved in our project ARCHITECTUS LUCIS with their teachers – a tremendous response!

All of them were able to contribute their own ideas and ideas and – as far as this was possible – realized. It was impressive to see with what enthusiasm and enthusiasm they were involved.

The 11-year-old Mia goes to the sixth grade of the Montessori school in Kaufring. “The project is great,” she says. “It’s really fun.” Her friend Melanie, who is also in the 6th class of the Montessori school, sees the same. “It’s nice that we can do as we imagine and deliver our own ideas, all are very nice, take good care of us and are very helpful, that’s nice.”

Adrian is 13 and goes to the 8th class of the Montessori school. He loves to craft with cardboard. That’s why he finds the project “great”. But he also finds great fun with the fact that he can speak English, which makes him a lot of fun.

Also the 11-year-old Jonas, who attends the 6th class of the Montessori school, is very enthusiastic. “It’s cool that we do something handcrafted and that we can work so deeply. What we’ve worked out is really great.”

The 17-year-old Jana, from the 12th grade of the IKG, likes to build and create something with other people. She also finds it great that her school is so committed and the schoolchildren for the project from the lesson. “For me, cartons have been just cartons, it’s exciting to see what you can do with it – especially in this size.”

“This is school, only tenfold improvement,” enthuses the 11-year-old Matthias, who attends the Mittelschule in Landsberg. His classmate Dino finds it great to have come here. “Not all teachers do that,” he says.

But his teacher Aslihan Öszan is also satisfied. “It’s really great here – the kids are thrilled, I’m thrilled, it’s interesting to see that the students, who are usually more difficult or conspicuous, are also quite a part of it And on Saturday, when they see the result, they will be even happier to be part of this large-scale project. “

Creative cardboard

November 16, 2016 marks the 250th anniversary of Dominikus Zimmermann’s death. The town of Landsberg am Lech is taking this as an opportunity to commemorate this important citizen and artist of the town throughout the year. He is considered one of the most important German rococo architects. Dominikus Zimmermann’s main work, the Wieskirche, is a UNESCO World Heritage Site.

In the Dominikus Zimmermann year, numerous events are being held on the life and work of the famous architect. The Landsberg cultural association “dieKunstBauStelle e.V.” is taking part with a very special socio-cultural project: “ARCHITECTUS LUCIS” is the name – and it says it all: under the motto “We follow the work of Dominikus Zimmermann”, children, young people and adults are invited to build a real structure together in October. The aim is to construct a room in the style of Dominikus Zimmermann’s light architecture.

The special feature here is the material. In the style of “cardboard design”, a light space will be created from cardboard boxes and architecture and lighting will be recreated and staged using appropriate cardboard techniques. The two Dutchmen Mathijs Stegink and Astrid van der Velde, international experts in cardboard design, will lead the “construction work”.

Cardboard design experts from the Netherlands visit Landsberg

The two experts recently visited Landsberg am Lech on August 3 to discuss details of the project with project initiator Wolfgang Hauck and to take a look at the town, where a major Cardboard project is soon to take place. A press event was also arranged on the occasion of their visit, during which they were available to answer questions from the local press and reported on their work and the Cardboard scene with the help of many visual examples.

It quickly became clear that cardboard design is a scene in its own right, with a large international audience and worldwide festivals. This scene has its very own philosophy: things are not built for eternity, but for the moment. The material, namely cardboard, is intended to take away the “master builder’s” fear of trying things out. He can do whatever he wants with it: model, glue, work on, join. “If something is wrong or doesn’t look good, he simply cuts the part away and takes a new piece of cardboard,” says Mathijs Stegink. “That way, he doesn’t have to be afraid of creating something and it’s easier for him to get out of his comfort zone and take a risk. In this way, he can create something great openly, courageously and creatively.”

High-quality objects made from cardboard

With relatively little financial outlay – cardboard usually doesn’t cost too much or even used cardboard parts are used – high-quality works can be created. “So high quality that you could even put a car on it in the end,” says Stegink. The two experts talk about entire forests or cities, robots, cars or even ships made from cardboard. Regular cardboard battles – e.g. car or boat races, robot fights – are held at festivals.

Important here: the final destruction of what has been built. That sounds brutal at first. “However, it is a very important part of the whole process,” says Astrid van der Velde. “Otherwise, you might be guided by something that already exists and absolutely want an object to look exactly like one that already exists.” No, you should simply keep the works of art in mind and then develop new ideas from them.

Becoming and passing away

“We think the ARCHITECTUS LUCIS concept is great, so we were immediately ready to participate,” emphasize the two, who got to know Wolfgang Hauck during a joint project in Northern Ireland. “To try out cardboard design in connection with a baroque theme, namely becoming and passing away, in such a way that everyone can take part. But we are open and are currently considering building moving objects for a parade at the end of the project.”

This makes Landsberg a very special place – also for the cardboard scene. After all, there has never been a historical architectural theme on such a scale.

ARCHITECTUS LUCIS becomes something very special through joint experimentation, creation and experience and through the opportunity to contribute and participate. You are not just a consumer, but become an architect and designer yourself. “We already have some ideas about where we want to go – but ultimately it depends entirely on the participants what comes out of it,” emphasizes Hauck. With around 40 participants expected, fun and excitement are guaranteed.

“We are very happy to have this project with us because it is not just a passive concept, but an interactive one,” emphasizes Patricia Eckstein from Kulturbüro Landsberg. “A lot of people are working together, creating something together, and everyone can be part of the project.”

The project is funded by the Bavarian Cultural Fund, the European Bavarian State Ministry of Science, Research and the Arts, the town of Landsberg am Lech and the district of Upper Bavaria.

If you are interested in participating, please send an e-mail to info@dieKunstBauStelle.de.

ARCHITECTUS LUCIS – Register now!

SCHEDULE
15.10. Kick-off meeting and information for all participants
16.10. Workshop start
17.10. Workshop
18.10. Workshop
19.10. Workshop
20.10. Workshop
21.10. Workshop
22.10. Performance, music and exhibition
23.10. Exhibition and dismantling

Depending on the participants (senior citizens, adults, young people, school groups and professions such as designers, artists, painters, photographers, craftsmen and …), the special contents of the workshops are put together.

LOCATION
Alte Turnhalle IGK (Ignaz-Kögler-Gymnasium)
Lechstraße 6, 86899 Landsberg am Lech
Gogle Maps – Turnhale IKG

INFO FOR PARTICIPANTS
Info sheet for participants

Please register!

REGISTER ONLINE!
Doodle list

The Red Thread – Summer course dates

THE RED THREAD – TURNING OLD INTO NEW
WORKSHOPS during the summer vacation

COSTUME AND FASHION WITH RENATE STOIBER
10 a.m. – 4 p.m. or to be arranged.

  • Monday, August 8
  • Tuesday, August 9
  • Wednesday August 10
  • Thursday August 11

—————————————–

  • Monday, September 5
  • Tuesday, September 6
  • Wednesday, September 7
  • Thursday, September 8

We also take a trip to the textile museum in Augsburg.

THEATER WITH PETER PRUCHNIEWITZ
10 a.m. – 4 p.m. or to be arranged.

  • Thursday, September 1 to Monday, September 5, 5 days

Participation is free of charge.

Info for participants
Registration
Registration Whats App +49 0173 947 1101

YOUTH
Ages 13 to 18

PARTNER
dieKunstBauStelle e.V.
Mittelschule Landsberg am Lech
Die Stelzer – Theater auf Stelzen

PROMOTION
“The project The Red Thread is supported by the program Jugend ins Zentrum of the Bundesverband der soziokulturellen Zentren e.V. as part of the federal program Culture makes you strong. Alliances for education of the Federal Ministry of Education and Research.

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theArtConstructionSite in the hospital…

… but don’t worry, nothing happened, nobody was injured, nobody was ill. There are other reasons why the KunstBauStelle has been in Landsberg hospital more often recently:

In our current project “Türkenmariandl morgen”, we would like to portray the area of medical and therapeutic services provided by citizens with a migration background. This is particularly interesting for the young people with a migration background or who have experienced flight. Because some of them would like to take up professions such as nurse, PTA or even doctor.

For this reason, numerous young people – participants in our project – have recently made their way to the hospital together with project manager Wolfgang Hauck and various speakers, equipped with headphones, microphones and recording equipment, to conduct interviews with the relevant employees. Interviews about their life stories, their past, but also with a view to the present and the future.

It was not at all easy to find suitable interview partners who also had the time to participate in our project. Fortunately, Landsberg Hospital was extremely cooperative: with the active help of the HR department and nursing management, we were able to interview several hospital employees with a migration background.

What came out of it was very exciting and also instructive for the young people and for us. For example, when the doctor from Hungary talked about his past, how he came to Germany and the difficulties he had to overcome. And that he had to accept some setbacks along the way. However, his message also resonated with the young people: “Sometimes you have to take three steps back to take a big step forward.” Ultimately, these setbacks were important for him to be exactly what he is now: a doctor who loves his profession more than anything.

Or the nurse from Croatia who only came to Germany three months ago, but has already settled in well and speaks German surprisingly well for such a short time. “What tips can you give us?” the young people wanted to know. “Be ambitious, never give up and always keep going, always work towards your goal, then it will work out,” she encouraged them.

Without exception, everyone, whether doctor, nurse or nurse practitioner, found their job particularly rewarding: the opportunity to help other people. “It makes sense and makes you happy, because you get a lot in return,” was the general consensus.

The young people listened with wide eyes. Perhaps one day they will be at the other end of the microphone giving interviews about their life story and telling how they managed to become who they are.

PASCH Summer Course 2016 in Amman

A field report by Julia Mann, speaker
A project of the program “K-I-D-Z DaF-Doku-Theater” on behalf of the Goethe-Institut Amman
25. July 2016, Amman

Amman: For a week, I helped organize a workshop at a PASCH school in Amman under the direction of Wolfgang Hauck, one of the heads of the “K-I-D-Z DaF-Doku” program. There, the Goethe-Institut Amman organized a three-week summer course for young people and invited us. As an additional program, the regular lessons were to be supplemented with creative and activity-oriented offers for German lessons.

Of the 66 participants in total, a mixed group of 20 students who already had an advanced basic knowledge of German took part. Accordingly, the language level of the participants varied and ranged from A1.2 to A2. We therefore came up with creative techniques to integrate different language levels.

As a teacher of German as a foreign language, I have mainly worked with adults in Germany so far. This project was a new and exciting challenge for me. I had already worked with the workshop leader, Wolfgang Hauck, as an actress in the theater. This meant that I was able to provide qualified support to the students in the design of the workshop in the scenic work on the comic scenes, which I will go into later.

Each workshop day began with a warm-up with different objectives: Team building, language and expression training and coordination training. The respective linguistic topics of the previous day were playfully integrated into this. For example: the participants’ introductions were refined with movements and the new vocabulary was combined with voice training.

Thanks to our various methods from the fields of theater and art, we were able to design these warm-ups flexibly so that we could orient ourselves to the respective daily form of the target groups. The exercises we used were designed to loosen up and warm up the participants. Warming up – this is of course less necessary at 35 degrees, but still helpful in an air-conditioned room. We used classic running and movement games or concentration exercises for this. On the other hand, we also wanted to introduce new vocabulary for the participants to work with later. For example, we used counting games to consolidate the use of numbers or to playfully develop new vocabulary such as colors, nouns, etc.. New vocabulary was consolidated the next day through short repetition exercises. At the same time, we practiced the practical application of what we had learned during the warm-up by having the participants speak aloud in front of the group.

I considered this action-oriented approach to be extremely successful, as although the students had already made their first contact with the German language in class, their pronunciation and intonation skills were barely there due to the lack of practice. One of the aims was for each participant to be able to speak a few short sentences in confident and correct German loudly and clearly in front of the group at the end of the workshop.

Foto-Wolfgang-Hauck-20160719-Workshop-5w

To train attention and listening comprehension, we introduced the interview as a conversation format. First, the students interviewed each other and made audio and video recordings. We gave them a few questions to introduce and train fixed structures. We made sure that the correct question structures with regard to verb tense, indirect question sentences, etc. were adhered to despite the students conducting the interviews independently. In the course of these interviews, the students’ answers led to various interest groups with which we were then able to plan the further projects. The aim of this was to take the pupils and their ideas and wishes into account as far as possible and to ensure action-oriented learning.

COMIC
One of the groups, mainly older students at A2 level, mentioned in these interviews that they would like to work as a doctor one day. We then took up this career aspiration as a core topic and drew up an interview guide for an interview with a Jordanian doctor. The prerequisite was that the doctor also spoke German. Thanks to the contacts of the Goethe-Institut, we were able to organize an interview with Dr. Rami Kilani, a specialist in gynaecology.

The list of questions was then worked out in detail in German. This list of questions was then practiced intensively in role plays and the use of audio and video techniques was also practiced.

INTERVIEW
Foto-Wolfgang-Hauck-20160720-Interview-Rami-Kilani-4w

During the interview itself, the young people then took on the technical tasks in addition to the interview and recorded the doctor’s answers with photos, video and sound. This was later used to create a transcription, which the participants were also asked to write in German. This activity also allowed us to focus on listening comprehension and at the same time train written skills such as spelling, grammar and punctuation. The video material was later used to produce a movie as a making-of.

The young people were instructed in video editing by Wolfgang Hauck and were thus able to take over the rough cut and editing of the film independently. I was amazed at how interested the students were in the topic and how they were able to solve linguistically difficult situations on their own. The previously introduced vocabulary, which the participants were able to pick up relatively easily with the warm-up activities, was particularly helpful here. The students could and should also use the Internet as a research tool to obtain background information and thus had to practise using a wide variety of sources.

2016-Amman comic covers

For the other participants, we chose an activity that would use less vocabulary to suit the lower language level, but would incorporate more interactive and social components in a playful way. We chose the “comic” format for this. Since, on the one hand, drawing skills could not be assumed and, on the other hand, the playful and dramaturgical part should be in the foreground, we chose comics with photography.

The pictures are converted into comic style and designed with speech bubbles using self-made photos and appropriate software. Groups of three to five participants are ideal for this implementation. We therefore formed three homogeneous groups in terms of age, interests and language level. The young people developed three different stories and storylines. The first step was to develop the storyboard in order to break down the story into individual images. The group of youngest pupils, aged thirteen, needed the most support in the language area, as the comics were to be published in German.

The photos were then taken. The pupils were asked to create the images required for their respective stories at school and take the photos themselves. The groups had tremendous fun with the scenic play because they had to put their ideas into practice. They were physically challenged, which provided variety after brainstorming and creating the storyboards.

Foto-Wolfgang-Hauck-20160719-Workshop-13w

The idea behind choosing comics as a medium was that they could be used at very different language levels, from individual words such as exclamations and simple main sentence structures in speech bubbles to more complicated content that was written down in entire texts. The young people were given help with more difficult structures such as subordinate clauses, perfect tenses, etc. We mainly checked spelling and grammar with regard to the result, but also explained orthographic and morphological features to the pupils. During this project work, we occasionally had to resort to explanations in English to explain the procedure, in particular how to use the software.

However, the young people picked up on this very quickly and were absolutely adept at using the program by the end. Last but not least, the idea of producing a comic was also suitable because after a week’s work the pupils also had something to hold in their hands. We printed out the results produced during this time and the pupils were thus able to present their classmates and parents with three “real” self-produced comics.

We repeatedly checked during the workshop that the participants were also using German among themselves, which was sometimes difficult as everyone had the same mother tongue and kept falling back on it in the discussions. We usually let this go for the time being, as it increased productivity and thus also the motivation of the participants. Nevertheless, we always made sure that certain fixed structures and vocabulary were used.

All in all, this workshop was a wonderful experience for me. This creative linguistic work with the young people was great fun. I was amazed at how motivated the young people were to use and expand their German language skills as much as possible. Particularly in the “interview” group, German language acquisition was given a high priority with regard to the topic of the future, career, studies after the interview with a German-speaking Jordanian doctor. Some expressed interest in an exchange program in Germany.

CONCLUSION
My experience is that the permeability and flexibility of this workshop and the consideration of both the interests and the language level of the participants led to an enormous boost in their motivation and willingness to get involved in the workshop.

We were also able to teach the students how to use the relevant media (photo, video, comic software) so that they can continue working on their ideas after the workshop. The feedback from the participants was very positive and over the course of the seven days I could already see an improvement in the language level, which I mainly attribute to the confidence the students gained in being able to use their acquired language skills.

LINKS
Goethe-Institut Amman, Jordan
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K-I-D-Z DaF Documentary Theater

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